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Whole-Child Development, Learning, and Thriving
- A Dynamic Systems Approach
- Pamela Cantor, Richard M. Lerner, Karen J. Pittman, Paul A. Chase, Nora Gomperts
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- Published online:
- 30 April 2021
- Print publication:
- 20 May 2021
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We discuss whole-child development, learning, and thriving through a dynamic systems theory lens that focuses on the United States and includes an analysis of historical challenges in the American public education system, including inequitable resources, opportunities, and outcomes. To transform US education systems, developmental and learning scientists, educators, policymakers, parents, and communities must apply the knowledge they have today to 1. challenge the assumptions and goals that drove the design of the current US education system, 2. articulate a revised, comprehensive definition of whole-child development, learning, and thriving that accepts rather than simplifies how human beings develop, 3. create a profound paradigm shift in how the purpose of education is described in the context of social, cultural, and political forces, including the impacts of race, privilege, and bias and 4. describe a new dynamic 'language' for measurement of both the academic competencies and the full set of 21st century skills.
Droplet Size Impact on Efficacy of a Dicamba-plus-Glyphosate Mixture
- Thomas R. Butts, Chase A. Samples, Lucas X. Franca, Darrin M. Dodds, Daniel B. Reynolds, Jason W. Adams, Richard K. Zollinger, Kirk A. Howatt, Bradley K. Fritz, Clint W. Hoffmann, Joe D. Luck, Greg R. Kruger
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- Journal:
- Weed Technology / Volume 33 / Issue 1 / February 2019
- Published online by Cambridge University Press:
- 14 March 2019, pp. 66-74
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Chemical weed control remains a widely used component of integrated weed management strategies because of its cost-effectiveness and rapid removal of crop pests. Additionally, dicamba-plus-glyphosate mixtures are a commonly recommended herbicide combination to combat herbicide resistance, specifically in recently commercially released dicamba-tolerant soybean and cotton. However, increased spray drift concerns and antagonistic interactions require that the application process be optimized to maximize biological efficacy while minimizing environmental contamination potential. Field research was conducted in 2016, 2017, and 2018 across three locations (Mississippi, Nebraska, and North Dakota) for a total of six site-years. The objectives were to characterize the efficacy of a range of droplet sizes [150 µm (Fine) to 900 µm (Ultra Coarse)] using a dicamba-plus-glyphosate mixture and to create novel weed management recommendations utilizing pulse-width modulation (PWM) sprayer technology. Results across pooled site-years indicated that a droplet size of 395 µm (Coarse) maximized weed mortality from a dicamba-plus-glyphosate mixture at 94 L ha–1. However, droplet size could be increased to 620 µm (Extremely Coarse) to maintain 90% of the maximum weed mortality while further mitigating particle drift potential. Although generalized droplet size recommendations could be created across site-years, optimum droplet sizes within each site-year varied considerably and may be dependent on weed species, geographic location, weather conditions, and herbicide resistance(s) present in the field. The precise, site-specific application of a dicamba-plus-glyphosate mixture using the results of this research will allow applicators to more effectively utilize PWM sprayers, reduce particle drift potential, maintain biological efficacy, and reduce the selection pressure for the evolution of herbicide-resistant weeds.
Drought, vegetation change, and human history on Rapa Nui (Isla de Pascua, Easter Island)
- Daniel Mann, James Edwards, Julie Chase, Warren Beck, Richard Reanier, Michele Mass, Bruce Finney, John Loret
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- Journal:
- Quaternary Research / Volume 69 / Issue 1 / January 2008
- Published online by Cambridge University Press:
- 20 January 2017, pp. 16-28
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Stratigraphic records from lake sediment cores and slope deposits on Rapa Nui document prehistoric human impacts and natural environmental changes. A hiatus in sedimentation in Rano Raraku suggests that this lake basin dried out sometime after 4090–4410 cal yr BP and refilled only decades to centuries before AD 1180–1290. Widespread ecosystem changes caused by forest clearance by Polynesian farmers began shortly after the end of this drought. Terrestrial sections show a chronology of burning and soil erosion similar to the lake cores. Although changing sediment types and shifts in the pollen rain suggest that droughts occurred earlier in the Holocene, as yet there is no evidence for droughts occurring after AD 1180–1290. The timing of the agricultural colonization of Rapa Nui now seems well established at ca. AD 1200 and it was accompanied by rapid deforestation that was probably exacerbated by the island's small size, its droughty climate, and the rarity of primeval fires. Detailed records of a large interval of Rapa Nui's ecological history remain elusive due to the drought hiatus in the Rano Raraku sediment record. We find no evidence for a "rat outbreak impact" on Rapa Nui's vegetation preceding anthropogenic forest clearance.
Contents
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Book:
- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp v-vi
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Frontmatter
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp i-iv
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II - How Green was the Green Knight? Forest Ecology at Hautdesert
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Book:
- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp 27-54
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Summary
One of the abiding impressions made by Sir Gawain and the Green Knight (henceforth SGGK) on its readers is that the Green Knight is an embodiment of nature. An earlier generation of scholars saw the poem chiefly as a museum of Celtic folklore, but Celtic paganism and the ‘Green Man’, both associated with a mystical, proto-Romantic reverence for the natural environment, remain a part of its critical heritage. Despite the manifest courtliness and hospitality practised at the Green Knight's castle, where Gawain spends Christmas week before riding to the Green Chapel on New Year's Day, the view persists that the Green Knight presides over a world that is very much ‘natural’ or ‘wild’ in contrast to Gawain's and Arthur's. This is perhaps because both in the form of Bertilak and in the form of the Green Knight, Gawain's host and adversary are represented as a man of the forest. As Bertilak (whose name is revealed to Gawain in 2445), he leads boisterous hunting parties three days in a row, traversing the forest around his castle. As the Green Knight, he maintains the seemingly remote Green Chapel in a rugged landscape that impresses Gawain as ‘wylde’ (2163), the oratory of the devil himself (2190–4), even though it stands somewhere within or very near to the forest where Bertilak hunts – in fact, it is ‘not two myle henne’ (1078), as Bertilak cheerfully informs Gawain.
IV - Pagan Gods and the Coming of Christianity in Perceforest
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Book:
- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp 75-86
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Summary
Gallaphur tant erra que au troisieme jour il monta une montaigne ou il trouva ung temple … Dist l'ancien home …: – Sire, on aoure ceans la Deesse des Songes. – Par ma foy, dist Gallaphur, c'est une fole deesse. – Ne vous en gabbez pas, dist le varlet, car elle est de grand merite, et ne vous conseille point d'entrer ceans au moins que ne faittes vostre paix a elle. – Sire, dist Gallaphur, oncquez plus ne oÿ parler d'elle et le roy Perce-forest en son tamps ne souffroit aourer que le Dieu Souverain. – Sire, dist le varlet, le roy Perceforest aouroit a sa devotion. Mais après sa mort une dame nommee Sarra … donnoit respons aux pucelles de leurs songes …, tellement qu'aprez sa mort les pucelles l'ont nommé la Deesse des Songes et lui ont fait ce temple ou elles l'aourent, car personne ne veille une nuit en ce temple que … il songera aucune chose du tamps advenir dont sur ce pourveoir se pourra. – Vallet, dist Gallaphur, bien sçay que le roy Perce-forest ama moult ceste dame en son tamps, mais on ne doit pas legierement croire sy haulte aventure comme d'une femme mortelle tenir a deesse, combien que ceste nuit demourray ceans pour sçavoir aucun point de sa vertu. … Sy s'endormy … Lors lui sambla que la deesse Sarra lui vint au devant … puis l'emmena sus une tant haulte montaigne qu'il pouoit bien voir tout le païs de Bretaigne, puis lui dist: – Gallaphur, regarde, retiens et mets en memoire ce que voir pues a l'entour de toy. Atant s'en parti et Gallaphur demoura esbahi des merveilles qu'il veoit par la Grant Bretaigne.
V - Malory's Sources for the Tale of the Sankgreal: Some Overlooked Evidence from the Irish Lorgaireacht an tSoidigh Naomhtha
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
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- 19 December 2013, pp 87-100
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Malory's Tale of the Sankgreal (henceforth M) is generally considered the ‘least original’ of his adaptations, conforming in most significant respects to the plot of the Vulgate Queste del Saint Graal (Q). The main alterations Malory appears to have made are thematic; most notably, he clearly downplays the mystical and devotional flavour of Q in his work. However, the precise extent of Malory's manipulation of his materials is hard to quantify, since the version of Q from which he was working does not match any known version of that text. Eugène Vinaver suggested that Malory's exemplar was probably closer to the lost common original of Q than to any of the surviving versions of the text. No French-language manuscript has yet been discovered that seems to represent the version known to Malory, but that does not necessarily mean that Malory's work is the only witness to this particular version of Q. The evidence of the medieval Irish translation of the Vulgate, Lorgaireacht an tSoidigh Naomhtha (L), has, so far, been largely overlooked. L's editor, Sheila Falconer, believed, like Vinaver, that the exemplar for her text ‘ranked high in the MS tradition of the Quest’ and, significantly, there are numerous points at which L and M share details not found in any known version of Q. It seems possible that L was translated from a version of Q close to, or identical with, the version Malory knew and, as such, may provide the best witness we have to the characteristics of his exemplar.
VI - ‘Transmuer de rime en prose’: The Transformation of Chrétien de Troyes's Joie de la Cour episode in the Burgundian Prose Erec (1450–60)
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Book:
- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp 101-116
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In the prologue to the mid-fifteenth-century adaptation of the ‘rhymed story of Erec, the son of King Lac,’ the prosateur describes his work as a ‘transmutation’: ‘… pour ce que l'en m'a presentee le histoire de Erec le filz du roy Lach en rime, je, au plaisir de Dieu, occuperay mon estude ung petit de tamps a le transmuer de rime en prose …’ (Because I have been presented with the rhymed story of Erec, the son of King Lac, I shall, God willing, devote a little time to transposing it from verse into prose …). The term transmuer (to transform or change) suggests the extent of the modifications the adapter performed as he turned Chrétien's poem into prose. Readers of Arthurian romances will be familiar with the techniques the redactor deployed in appropriating Chrétien's text: abbreviation, amplification and rationalization. However, the full compass of the transformations, which occur on a socio-cultural level but more importantly, inform the literary art, may be surprising to them. Indeed, the modifications affect the structure and the meaning of the romance. While the prose text respects the general outline of the story, it abbreviates or omits many elements, but also embroiders, alters and even adds new material. In addition, it changes countless details in such a way that the adaptation is in fact a completely new text.
Contents of Previous Volumes
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Book:
- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp 171-175
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III - Edward III's Arthurian Enthusiasms Revisited: Perceforest in the Context of Philippa of Hainault and the Round Table Feast of 1344
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Book:
- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp 55-74
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Perceforest is the greatest of the unread Arthurian romances. There is still no complete modern edition, and in order to read the last book, you have to use the huge folio volumes produced in Paris in the early sixteenth century, designed to satisfy the enthusiasm of buyers of the new-fangled romances in book form. Neglected until a summary version by Jeanne Lods appeared in 1951, it was only with the appearance of the first volume of the Textes littéraires français edition by Jane Taylor in 1979 that it began to attract wider attention among Arthurian scholars, reinforced by the publication of all but the sixth part of the romance by 2007. Now that Nigel Bryant has produced an English version, its extraordinary riches are available to a much wider audience. This article explores the possible historical context in which it was originally composed.
I say ‘originally composed’ deliberately, because the version that we have is almost certainly a reworking in the fifteenth century of a fourteenth-century prose romance. The language is not that of the mid fourteenth century, and much of the content is similar in style to that of the Burgundian romances of the mid fifteenth century. These were new versions of twelfth- and thirteenth-century texts, by now archaic in their language.
List of Contributors
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Book:
- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp x-xii
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Arthurian Literature XXX
- Edited by Elizabeth Archibald, David F. Johnson
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- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013
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The influence and significance of the legend of Arthur are fully demonstrated by the subject matter and time-span of articles here. Topics include Perceforest in historical context; a new source for Malory's Morte Darthur; magic and the supernatural in early Welsh Arthurian narrative; and ecology in Sir Gawain and the Green Knight. Contributors: Richard W. Barber; Nigel Bryant; Aisling Byrne; Carol J. Chase; Siân Echard; Helen Fulton; Michael Twomey; Patricia Victorin.
VIII - Remembering Brutus: Aaron Thompson's British History of 1718
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Book:
- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp 141-170
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Summary
In 1842, The British History of Geoffrey of Monmouth appeared in the series The Monkish Historians of Great Britain. Already published were Bede's Ecclesiastical History, a volume of Gildas's and Nennius's Histories and the Chronicle of Richard of Devizes, along with Richard of Cirencester's description of Britain. Further works of Bede, histories by William of Malmesbury and William of Newburgh, the Saxon Chronicles and Asser's Life of Alfred were all in press. The series page announced that several of the volumes were appearing ‘in an English dress’ for the first time, but this particular book was a revised edition, by the prolific editor and translator J. A. Giles (1808–1884), of Aaron Thompson's 1718 English translation of Geoffrey's Historia regum Britannie. Giles makes it clear in his own preface that both Geoffrey and his first translator should be treated with considerable suspicion. Of Geoffrey, he writes, ‘We do not insert the BRITISH HISTORY in our series of Early English Records as a work containing an authentic narrative, nor do we wish to compare Geoffrey of Monmouth with Bede in point of veracity’. Describing Thompson's preface to the 1718 translation, Giles is blunt with respect to the former's credulity: ‘Prefixed to the work is a long introduction in which the translator endeavours to defend his author from the charge of having inserted the narrative which he professes to have translated from the Old British Tongue. It is now, of course, universally admitted that the whole series of British Kings, from Brutus downwards, is a tissue of fables’.
I - Magic and the Supernatural in Early Welsh Arthurian Narrative: Culhwch ac Olwen and Breuddwyd Rhonabwy
- Edited by Elizabeth Archibald, Professor of English Studies at Durham University, and Principal of St Cuthbert's Society, David F. Johnson, Professor of English at Florida State University, Tallahassee
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- Book:
- Arthurian Literature XXX
- Published by:
- Boydell & Brewer
- Published online:
- 05 March 2014
- Print publication:
- 19 December 2013, pp 1-26
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The term ‘Celtic magic’ has had a long currency in medieval studies, particularly Arthurian studies. being positioned alongside ‘Celtic myth’ as a convenient explanation for elements in vernacular medieval romance whose provenance is not otherwise obvious. Yet both terms. ‘Celtic’ and ‘magic’, are problematic when it comes to definitions, and this is particularly so in relation to two of the most important survivals of Welsh Arthurian literature. Culhwch ac Olwen (Culhwch and Olwen) and Breuddwyd Rhonabwy (The Dream of Rhonabwy). Both tales locate Arthur in the centre of a magic landscape; one that is subject to supernatural events. The figure of Arthur himself is presented quite differently in both texts, and in many ways The Dream of Rhonabwy foreshadows the loss of magic. in the sense of personal charisma and superhuman ability. that accompanies Arthur's appropriation into the French and English traditions. Moreover. particular kinds of literary magic in medieval texts can be related to certain types of narrative discourse. In its most familiar sense. ‘magic’ is associated with narrative agency. that is. with persons or objects who dispense and control the application of magic. whether these are fairy women or kings, or specific objects such as magic rings or potions. This agentive magic. typical of medieval romance. is produced through a discourse of realism which comes close to the modern mode of magic realism. Early Welsh and Irish tales, however, use a different kind of narrative mode; one that foregrounds naturalism rather than realism in its storytelling techniques. This produces a different kind of ‘magic’, an agentless occurrence of wonders that can best be described as the supernatural marvellous. The early Welsh prose tales therefore exemplify a particular narrative strategy which might be called ‘magic naturalism’.
Ernst Keil vs. Prussia: Censorship and Compromise in the Amazon Affair
- Chase Richards
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- Journal:
- Central European History / Volume 46 / Issue 3 / September 2013
- Published online by Cambridge University Press:
- 02 December 2013, pp. 533-567
- Print publication:
- September 2013
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Recent scholarship has cautioned us that censorship does not require a censor, nor can it be described merely as the repression of information by power. Censorship can be discursively productive, and historically it has worn many guises. This article treats a case in which state censorship practices were unstable, their execution uncertain, and their target cunning, if ultimately open to compromise. Sparked by an antiaristocratic short story in Ernst Keil's Gartenlaube (arbor, bower), the most widely read German periodical of the era, the Amazon affair involved not only its namesake ship—the Prussian S.M.S. Amazon (Amazone), a wooden corvette that sank in a storm off the coast of Holland in 1861—but an extraordinary confrontation between the conservative Prussian state and the liberal popular press. From the misstep of a weekly family magazine arose a multiyear press ban and a struggle over liberal-democratic public opinion in Germany. If no clear winner emerged from the Amazon affair, the episode nonetheless speaks to the malleability of German political culture at a moment of profound transition, as well as to the ability of the state to shape it.
HERDER'S PHANTOM PUBLIC*
- CHASE RICHARDS
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- Journal:
- Modern Intellectual History / Volume 9 / Issue 3 / November 2012
- Published online by Cambridge University Press:
- 02 November 2012, pp. 507-533
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Some of Herder's most striking ideas stemmed from his early evaluation of German literary publicity, which to his mind stood in stark contrast to conditions in the sociable world. Such a predicament bespeaks the importance of considering the relationship between printed text and lived sociability in the Enlightenment. By charting the heady twists and turns in his intellectual development from 1765 to 1769, this essay treats the young Herder in what for him became an aesthetically charged field between the two. The “phantom” public which he came to envision would be manifest to the senses, at least to the extent that it might be “felt” by the reader of print, but it also amounted to a surrogate for the more tangibly sensual experience of face-to-face community.
Contributors
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- By Rose Teteki Abbey, K. C. Abraham, David Tuesday Adamo, LeRoy H. Aden, Efrain Agosto, Victor Aguilan, Gillian T. W. Ahlgren, Charanjit Kaur AjitSingh, Dorothy B E A Akoto, Giuseppe Alberigo, Daniel E. Albrecht, Ruth Albrecht, Daniel O. Aleshire, Urs Altermatt, Anand Amaladass, Michael Amaladoss, James N. Amanze, Lesley G. Anderson, Thomas C. Anderson, Victor Anderson, Hope S. Antone, María Pilar Aquino, Paula Arai, Victorio Araya Guillén, S. Wesley Ariarajah, Ellen T. Armour, Brett Gregory Armstrong, Atsuhiro Asano, Naim Stifan Ateek, Mahmoud Ayoub, John Alembillah Azumah, Mercedes L. García Bachmann, Irena Backus, J. Wayne Baker, Mieke Bal, Lewis V. Baldwin, William Barbieri, António Barbosa da Silva, David Basinger, Bolaji Olukemi Bateye, Oswald Bayer, Daniel H. Bays, Rosalie Beck, Nancy Elizabeth Bedford, Guy-Thomas Bedouelle, Chorbishop Seely Beggiani, Wolfgang Behringer, Christopher M. Bellitto, Byard Bennett, Harold V. Bennett, Teresa Berger, Miguel A. Bernad, Henley Bernard, Alan E. Bernstein, Jon L. Berquist, Johannes Beutler, Ana María Bidegain, Matthew P. Binkewicz, Jennifer Bird, Joseph Blenkinsopp, Dmytro Bondarenko, Paulo Bonfatti, Riet en Pim Bons-Storm, Jessica A. Boon, Marcus J. Borg, Mark Bosco, Peter C. Bouteneff, François Bovon, William D. Bowman, Paul S. Boyer, David Brakke, Richard E. Brantley, Marcus Braybrooke, Ian Breward, Ênio José da Costa Brito, Jewel Spears Brooker, Johannes Brosseder, Nicholas Canfield Read Brown, Robert F. Brown, Pamela K. Brubaker, Walter Brueggemann, Bishop Colin O. Buchanan, Stanley M. Burgess, Amy Nelson Burnett, J. Patout Burns, David B. Burrell, David Buttrick, James P. Byrd, Lavinia Byrne, Gerado Caetano, Marcos Caldas, Alkiviadis Calivas, William J. Callahan, Salvatore Calomino, Euan K. Cameron, William S. Campbell, Marcelo Ayres Camurça, Daniel F. Caner, Paul E. Capetz, Carlos F. Cardoza-Orlandi, Patrick W. Carey, Barbara Carvill, Hal Cauthron, Subhadra Mitra Channa, Mark D. Chapman, James H. Charlesworth, Kenneth R. Chase, Chen Zemin, Luciano Chianeque, Philip Chia Phin Yin, Francisca H. Chimhanda, Daniel Chiquete, John T. Chirban, Soobin Choi, Robert Choquette, Mita Choudhury, Gerald Christianson, John Chryssavgis, Sejong Chun, Esther Chung-Kim, Charles M. A. Clark, Elizabeth A. Clark, Sathianathan Clarke, Fred Cloud, John B. Cobb, W. Owen Cole, John A Coleman, John J. Collins, Sylvia Collins-Mayo, Paul K. Conkin, Beth A. Conklin, Sean Connolly, Demetrios J. Constantelos, Michael A. Conway, Paula M. Cooey, Austin Cooper, Michael L. Cooper-White, Pamela Cooper-White, L. William Countryman, Sérgio Coutinho, Pamela Couture, Shannon Craigo-Snell, James L. Crenshaw, David Crowner, Humberto Horacio Cucchetti, Lawrence S. Cunningham, Elizabeth Mason Currier, Emmanuel Cutrone, Mary L. Daniel, David D. Daniels, Robert Darden, Rolf Darge, Isaiah Dau, Jeffry C. Davis, Jane Dawson, Valentin Dedji, John W. de Gruchy, Paul DeHart, Wendy J. Deichmann Edwards, Miguel A. De La Torre, George E. Demacopoulos, Thomas de Mayo, Leah DeVun, Beatriz de Vasconcellos Dias, Dennis C. Dickerson, John M. Dillon, Luis Miguel Donatello, Igor Dorfmann-Lazarev, Susanna Drake, Jonathan A. Draper, N. Dreher Martin, Otto Dreydoppel, Angelyn Dries, A. J. Droge, Francis X. D'Sa, Marilyn Dunn, Nicole Wilkinson Duran, Rifaat Ebied, Mark J. Edwards, William H. Edwards, Leonard H. Ehrlich, Nancy L. Eiesland, Martin Elbel, J. Harold Ellens, Stephen Ellingson, Marvin M. Ellison, Robert Ellsberg, Jean Bethke Elshtain, Eldon Jay Epp, Peter C. Erb, Tassilo Erhardt, Maria Erling, Noel Leo Erskine, Gillian R. Evans, Virginia Fabella, Michael A. Fahey, Edward Farley, Margaret A. Farley, Wendy Farley, Robert Fastiggi, Seena Fazel, Duncan S. Ferguson, Helwar Figueroa, Paul Corby Finney, Kyriaki Karidoyanes FitzGerald, Thomas E. FitzGerald, John R. Fitzmier, Marie Therese Flanagan, Sabina Flanagan, Claude Flipo, Ronald B. Flowers, Carole Fontaine, David Ford, Mary Ford, Stephanie A. Ford, Jim Forest, William Franke, Robert M. Franklin, Ruth Franzén, Edward H. Friedman, Samuel Frouisou, Lorelei F. Fuchs, Jojo M. Fung, Inger Furseth, Richard R. Gaillardetz, Brandon Gallaher, China Galland, Mark Galli, Ismael García, Tharscisse Gatwa, Jean-Marie Gaudeul, Luis María Gavilanes del Castillo, Pavel L. Gavrilyuk, Volney P. Gay, Metropolitan Athanasios Geevargis, Kondothra M. George, Mary Gerhart, Simon Gikandi, Maurice Gilbert, Michael J. Gillgannon, Verónica Giménez Beliveau, Terryl Givens, Beth Glazier-McDonald, Philip Gleason, Menghun Goh, Brian Golding, Bishop Hilario M. Gomez, Michelle A. Gonzalez, Donald K. Gorrell, Roy Gottfried, Tamara Grdzelidze, Joel B. Green, Niels Henrik Gregersen, Cristina Grenholm, Herbert Griffiths, Eric W. Gritsch, Erich S. Gruen, Christoffer H. Grundmann, Paul H. Gundani, Jon P. Gunnemann, Petre Guran, Vidar L. Haanes, Jeremiah M. Hackett, Getatchew Haile, Douglas John Hall, Nicholas Hammond, Daphne Hampson, Jehu J. Hanciles, Barry Hankins, Jennifer Haraguchi, Stanley S. Harakas, Anthony John Harding, Conrad L. Harkins, J. William Harmless, Marjory Harper, Amir Harrak, Joel F. Harrington, Mark W. Harris, Susan Ashbrook Harvey, Van A. Harvey, R. Chris Hassel, Jione Havea, Daniel Hawk, Diana L. Hayes, Leslie Hayes, Priscilla Hayner, S. Mark Heim, Simo Heininen, Richard P. Heitzenrater, Eila Helander, David Hempton, Scott H. Hendrix, Jan-Olav Henriksen, Gina Hens-Piazza, Carter Heyward, Nicholas J. Higham, David Hilliard, Norman A. Hjelm, Peter C. Hodgson, Arthur Holder, M. Jan Holton, Dwight N. Hopkins, Ronnie Po-chia Hsia, Po-Ho Huang, James Hudnut-Beumler, Jennifer S. Hughes, Leonard M. Hummel, Mary E. Hunt, Laennec Hurbon, Mark Hutchinson, Susan E. Hylen, Mary Beth Ingham, H. Larry Ingle, Dale T. Irvin, Jon Isaak, Paul John Isaak, Ada María Isasi-Díaz, Hans Raun Iversen, Margaret C. 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- Edited by Daniel Patte, Vanderbilt University, Tennessee
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- The Cambridge Dictionary of Christianity
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- 05 August 2012
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Expression of opsin mRNA in normal and vitamin A deficient retinas of the sphingid moth Manduca sexta
- Michael R. Chase, Ruth R. Bennett, Richard H. White
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- Visual Neuroscience / Volume 13 / Issue 2 / March 1996
- Published online by Cambridge University Press:
- 02 June 2009, pp. 353-358
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Two distinct opsin-encoding cDNAs, designated MANOP1 and MANOP2, were isolated as 3′ fragments from the sphingid moth Manduca sexta. They were obtained by reverse transcription of retinal RNA and amplification with the polymerase chain reaction (PCR) using a degenerate primer designed to an amino-acid sequence conserved in arthropod opsins. The cDNA fragments labelled bands at approximately 1.8 kb on Northern blots of retinal RNA extracts. Levels of opsin message were compared in retinas from normal moths, whose diets were fortified with carotenoid precursors of the Manduca rhodopsin chromophore, 3-hydroxyretinal, and those reared on carotenoid/retinoid (vitamin A) deficient diets. The chromophore-depleted retinas contained more opsin mRNA; this was particularly true for MANOP2. Thus, the chromophore is not required for opsin gene transcription in Manduca.
Viktor G. Bortnevskii, 1954-1996
- Richard Bidlack, Jeffrey Burds, William Chase, J. Arch Getty, Donald Raleigh
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- Slavic Review / Volume 55 / Issue 3 / Fall 1996
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- 27 January 2017, pp. 724-725
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- Fall 1996
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